Free account vs. paid account

[msagara]

Can those of you who made the decision to go for a paid account tell me what the practical differences are (I can read the FAQ, and have, but it seems from FAQ reading that there's very little practical difference).

In other news, I'm working on the revisions for my first Luna novel at the moment; I've just finished rereading everything of relevance in SUN SWORD in preparation for the next leg of HOUSE WAR. I've written thousands of words on the weekend -- none of it with any commercial value whatsoever. That would be the poetry. 1 of the 6 cycles is actually word perfect, imho; but the rest, not so much.

And the correct response, when told -- by me, let me hasten to add (for Larry's sake if no one else's) -- "I'm working on poetry" is "I'm sorry to hear that." Or, "poor you." "Who died?" is also acceptable.

Comments

Re: fantasy duo, yes

[msagara.livejournal.com]

Very cool, about the haiku cycle *g*. I know the series; it's the educational one for middle readers, YAs. Her first fantasy collection in what I think was to have been similar is coming out this fall.

re: Luna editors - no, there are more. In fact, from what I understand, -any- editor in -any- of the Harlequin lines can acquire for the Luna line, providing that the acquisition is approved in the weekly discussions about what's going to be bought. The editor in question is responsible for the book's editing, although I don't know if she's responsible for the art/packaging because I'm not quite sure how that works there yet. This probably only affects writers who have already been published by Harlequin in any of their incarnations, though. So, you and I share an editor (and I'm sure she's also editing Asaro, Lackey & Golden); Laura Resnick has a different editor, Sue Krinard has a different editor again.