I remember, long before I started writing a novel, I had the certain sense that writers knew what they were doing and that every word was brilliant (if I loved their work); every word was golden. Because the words were important to me and I was just the reader, I assumed that the depth of import must be orders of magnitude more significant for the writers.
I also assumed they knew everything about their world and characters, and remembered every detail they had ever written, and somehow planned everything in advance, to achieve the things that moved me so much. I was a reader to whom books were a religious experience, an epiphany; how could it be less?
( Yes, it is embarrassing to remember that now, why do you ask? )
I also assumed they knew everything about their world and characters, and remembered every detail they had ever written, and somehow planned everything in advance, to achieve the things that moved me so much. I was a reader to whom books were a religious experience, an epiphany; how could it be less?
( Yes, it is embarrassing to remember that now, why do you ask? )