Some time ago, during the discussions inevitably caused by the Anne Rice debacle, I said that I would discuss my views on fanfic. I've been thinking about this in bits and pieces since that point, because I have two views about it (generally, I have at least two about almost everything, except perhaps for the upcoming US election, and I will fail to discuss the single view I have because I'm not a US citizen).
My personal view -- and by personal I mean it is a view which pertains only to such things as they affect me -- first. So everything I say for the next few paragraphs is specifically about my work, or responses to my work.
I find it enormously flattering that something about my work speaks strongly enough to some people that they are compelled to write about those elements. I adore my characters -- pretty much all of them -- and I don't, umm, write a lot of sex, and much of the relationship stuff is subtle enough that even my mother missed it. I'm not sure how much room there is in the cracks of the story -- I tend to think that it's the books in which there are obvious wide and undocumented story spaces that lend themselves best to fanfic writing -- but I don't write fanfic, so what do I know? (Yes, I invite comment).
I'm perfectly happy to have other people write fanfic, and I find the fact that some people do want to do this flattering. I don't have any desire to read what they've written, however, and not just for legal reasons (as in, to avoid later being accused of somehow stealing their ideas, which did happen once, and caused a lot of authors who had previously turned a blind eye to turn a legal eye in its place); these characters have an arc and a life that's entirely on the inside of my Byzantine mind, and while I'm happy that they have an effect on other people, I like to keep that effect and my own sense of who they are completely separate. I don't want to have the "but they would never do that" reaction, because obviously -- to the people who did write the story -- the characters would.
This makes me somehow feel that I've been incompetent; that I've failed to write the characters in such a way that they're clear enough that this would be obvious. Which I realize is entirely beside the point. I'm not a good judge in that sense because I'm entirely too close to the characters. So the reading of secondary creation? It's not something I can reasonably do. I'm happy if others can, and if they build a community on that, even in a small way, that's fine with me; I can't be part of it, but I don't hate or decry it.
I have a different reaction to non-written things based on my work.
Someone recently gave me a CD of recorded variants of a song that she'd written; it's based on lyrics in one of my novels, and I adore it. I listen to it sometimes before I write because there's a sense of pride -- if that's quite the right word -- that comes when I realize that this music was inspired by something I created. It's like a gift in ways I can't explain. It would never have happened if I hadn't written these books. I would never have met the person in question, if I hadn't. And it's something I could never have done for myself; I'm not so musically inclined.
Some fan art has also been done, but I've seen only a little of it; someone sent me a "chibi diora", which I'd use as an icon if I had any graphics ability at all (I generally pass on all such task to my son's godfather; I'm willing to keep an network up and running, but I'm not willing to tangle with Adobe software; mybravery foolishness has limits.)
I find the fan art interesting because I'm not a visual person. It takes an enormous amount of work for me to see things as I write them; I have to externalize them, and I tend to write from a very internal perspective. When someone paints or draws their vision of a character, it doesn't clash with mine because I so seldom have a full-blown one; there are details that are important to me, but not so important that they destroy my curiosity or even enjoyment.
So. On a purely personal level, it's all good to me.
My professional view, however, is that my personal take is just that -- personal. I have no particular contempt for, annoyance at, or in fact, opinion on any other writer's views. If Robin Hobb emphatically states that there will be no fanfic about her worlds, that's her right. Actually, I'll take that back -- I do have an opinion (yes, yes, I know, that silence is not the silence of shock or surprise).
I believe that, in the case where the creator of the primary universe has so clearly stated her preferences, they should be respected. If, in theory, the drive to create works aligned with a world comes from the love of the world created, I believe that some deference is owed the creator of said world. Hobb is my example solely because I happened to be going through her web-site FAQ looking for information about her forthcoming novel for the store. There are plenty of other authors who have the same strong attachments to their characters and universes, and who decry the writing of any fiction in those universes, or about those characters, that doesn't originate from them, or through them.
That's their right. In speaking of my own preferences or opinions, I have no intention of stepping on their feet, or somehow lessening the respect I have for the way they exercise their rights. If they find it less then flattering, or even threatening (I realize that the whole copyright question is grey, and different lawyers fall on different sides of the argument), I think they have the right to do what they have to do to be able to sleep at night, as it were.
My personal view -- and by personal I mean it is a view which pertains only to such things as they affect me -- first. So everything I say for the next few paragraphs is specifically about my work, or responses to my work.
I find it enormously flattering that something about my work speaks strongly enough to some people that they are compelled to write about those elements. I adore my characters -- pretty much all of them -- and I don't, umm, write a lot of sex, and much of the relationship stuff is subtle enough that even my mother missed it. I'm not sure how much room there is in the cracks of the story -- I tend to think that it's the books in which there are obvious wide and undocumented story spaces that lend themselves best to fanfic writing -- but I don't write fanfic, so what do I know? (Yes, I invite comment).
I'm perfectly happy to have other people write fanfic, and I find the fact that some people do want to do this flattering. I don't have any desire to read what they've written, however, and not just for legal reasons (as in, to avoid later being accused of somehow stealing their ideas, which did happen once, and caused a lot of authors who had previously turned a blind eye to turn a legal eye in its place); these characters have an arc and a life that's entirely on the inside of my Byzantine mind, and while I'm happy that they have an effect on other people, I like to keep that effect and my own sense of who they are completely separate. I don't want to have the "but they would never do that" reaction, because obviously -- to the people who did write the story -- the characters would.
This makes me somehow feel that I've been incompetent; that I've failed to write the characters in such a way that they're clear enough that this would be obvious. Which I realize is entirely beside the point. I'm not a good judge in that sense because I'm entirely too close to the characters. So the reading of secondary creation? It's not something I can reasonably do. I'm happy if others can, and if they build a community on that, even in a small way, that's fine with me; I can't be part of it, but I don't hate or decry it.
I have a different reaction to non-written things based on my work.
Someone recently gave me a CD of recorded variants of a song that she'd written; it's based on lyrics in one of my novels, and I adore it. I listen to it sometimes before I write because there's a sense of pride -- if that's quite the right word -- that comes when I realize that this music was inspired by something I created. It's like a gift in ways I can't explain. It would never have happened if I hadn't written these books. I would never have met the person in question, if I hadn't. And it's something I could never have done for myself; I'm not so musically inclined.
Some fan art has also been done, but I've seen only a little of it; someone sent me a "chibi diora", which I'd use as an icon if I had any graphics ability at all (I generally pass on all such task to my son's godfather; I'm willing to keep an network up and running, but I'm not willing to tangle with Adobe software; my
I find the fan art interesting because I'm not a visual person. It takes an enormous amount of work for me to see things as I write them; I have to externalize them, and I tend to write from a very internal perspective. When someone paints or draws their vision of a character, it doesn't clash with mine because I so seldom have a full-blown one; there are details that are important to me, but not so important that they destroy my curiosity or even enjoyment.
So. On a purely personal level, it's all good to me.
My professional view, however, is that my personal take is just that -- personal. I have no particular contempt for, annoyance at, or in fact, opinion on any other writer's views. If Robin Hobb emphatically states that there will be no fanfic about her worlds, that's her right. Actually, I'll take that back -- I do have an opinion (yes, yes, I know, that silence is not the silence of shock or surprise).
I believe that, in the case where the creator of the primary universe has so clearly stated her preferences, they should be respected. If, in theory, the drive to create works aligned with a world comes from the love of the world created, I believe that some deference is owed the creator of said world. Hobb is my example solely because I happened to be going through her web-site FAQ looking for information about her forthcoming novel for the store. There are plenty of other authors who have the same strong attachments to their characters and universes, and who decry the writing of any fiction in those universes, or about those characters, that doesn't originate from them, or through them.
That's their right. In speaking of my own preferences or opinions, I have no intention of stepping on their feet, or somehow lessening the respect I have for the way they exercise their rights. If they find it less then flattering, or even threatening (I realize that the whole copyright question is grey, and different lawyers fall on different sides of the argument), I think they have the right to do what they have to do to be able to sleep at night, as it were.
comments from a reader of some fics, part 2
Date: 2004-10-19 11:35 pm (UTC)In addition, she co-writes with other people, and this link is one of the cooperative series of stories. This one happens to be set in the West (and it's called that) during the nineteenth century, in a cathouse run by a woman with a past. She's given shelter to a guy who was beaten nearly to death--which one reads in an earlier set of posts which were very impressive. I don't think you have to have all the background that exists inthe prior stories, but it does make this ricker, more textured, even more convincing. I don't think I've ever read a more effective abusive-husband scene.
http://www.livejournal.com/community/west__trips/4172.html#cutid1%22
Another comment remarked there isn't any critical supporrt for fanfic. In fact there is rather a lot of critical thought developed about fanfic from within the community; there's been scholarly source books written about it. Many of them are considering it an interaction with the primary source, a conversation with the source material and with fellow fans. This one discusses what slash really is, in the context of het slash, of all things.
http://www.drizzle.com/~gwyneth/morestuff/hetslash.html
I would point you toward
In addition, she co-writes with other people, and this link is one of the cooperative series of stories. This one happens to be set in the West (and it's called that) during the nineteenth century, in a cathouse run by a woman with a past. She's given shelter to a guy who was beaten nearly to death--which one reads in an earlier set of posts which were very impressive. I don't think you have to have all the background that exists inthe prior stories, but it does make this ricker, more textured, even more convincing. I don't think I've ever read a more effective abusive-husband scene.
http://www.livejournal.com/community/west__trips/4172.html#cutid1%22
Another comment remarked there isn't any critical supporrt for fanfic. In fact there is rather a lot of critical thought developed about fanfic from within the community; there's been scholarly source books written about it. Many of them are considering it an interaction with the primary source, a conversation with the source material and with fellow fans. This one discusses what slash really is, in the context of het slash, of all things.
http://www.drizzle.com/~gwyneth/morestuff/hetslash.html
I would point you toward <ljuser=stewardess> as one of the better writers as well, but in what's left on her lj, I might not be doing her justice. Because of a fan's really bad plagiarism and her own need to make some money to live on, her best work has been withdrawn from the net. She's going to rewrite it as completely original characters.
Here's her explanation:
http://www.livejournal.com/users/stewardess_lotr/73385.html
Another one of the better, harsher writers:
http://www.twistedchick.org/stories/index.htm
If you ever doubted that handicapped sex could be hot stuff, then I should point out this one among that collection:
http://www.twistedchick.org/stories/shortbread/janus.htm
There's lots more great writers out there, this is what I grabbed in a hurry tonight. For what it's worth, some more sources, mostly slashy:
http://seacouver.slashcity.net/taz/fuse.html
http://seacouver.slashcity.net/elynross/index.html
http://mediafans.org/rachael/
http://www.intimations.org/fanfic/#misc